Here's a photo loaded with allegorical possibilities. It was shot at the Border's bookstore on State Street in downtown Chicago. Does the yellow tape express some new managerial position about the dangers of philosophy? And why is the warning applied primarily to philosophy written by Germans whose surnames begin with the letter 'H'? Indeed, why the need for caution? Are the ideas expressed in the books considered dangerous? Or are such weighty tomes simply hazards impeding to the efficient sales of more marketable titles, e.g., the latest fad-diet title, a volume of New Age pop psychology, or the newest Harry Potter book?
As someone working in a U.S. English department I can't help thinking that the images register the shift away from so-called 'high theory' (Continental Philosophy) toward historicist criticism and cultural studies that has occurred over the past decade or so in the humanities, especially literary studies. The rise of historicist criticism and a naively simple modes of cultural studies in literary studies has led, in various forms, to a return of the long-standing opposition between philosophy and literature/poetics. The winner in this battle? In literary studies, anyway, both are losing, as language and lit departments face increasing pressures to churn out students whose ‘literacy’ ‘pragmatically’ enables them to secure jobs writing various genres of corporate copy.
I'm posting these images for a colleague of mine in literary studies (not at UIC) who has recently experienced resistance from his or her departmental colleagues for drawing so heavily upon Hegel in his or her work. Nevermind the fact that the project, is intended to demonstrate how Hegel's dialectical logic informs the manner in which Joyce depicts a day in Dublin unfolding Ulysses. Against those academics who bizarrely claim that Joyce was an apolitical high-modern elitist, this project presents a universalist Ulysses, i.e., Joyce’s efforts to materialize cognition via punning and cunning language experiments can best be grasped through a Hegelian framework that never forgets Dublin’s place within a larger totality – the world circa 1904.
S/he presented material at a departmental seminar and discovered that the many of the attendees hadn't read the larger manuscript circulated before the seminar, apparently because they were put off by the explicit philosophical content of the material. Then, during the seminar, they wasted time by asking this academic to define basic Hegelian terms and concepts that, had they bothered to read the essay, were explained carefully in the text. Moreover, they had the gall to imply that the philosophical concepts were somehow superfluous. It was disappointing to discover these anti-philosophical attitudes are prevalent in Europe as well.
